Deidre Shauna Lynch

Ernest Bernbaum Professor of Literature

William H. Ireland
Miscellaneous papers and legal instruments under the hand and seal of William Shakespeare
London, 1796

Samuel Ireland was a minor engraver on the margins of the London art world, an obsessive collector of Shakespeare memorabilia, and, alas, a gullible parent. So thrilled was he in 1794 when his teenaged son William Henry “discovered” a hoard of papers in Shakespeare’s handwriting that he determined to engrave their facsimiles for this 1795 book. The papers were, of course, William Henry’s forgeries: their ridiculous spelling quickly gave that away. Though it contributed nothing to Shakespearean studies (on the contrary), the Irelands’ book does teach us a tremendous amount about books themselves and the feelings books provoke. Samuel as an engraver had a professional stake in print technology’s powers of replication. And yet here he is attempting to make the printed book approximate a manuscript and share in its capacity to give us access to the body of its maker.

17.5 L x 13.5 W x 1.25 Th (in)
EC8.Ir257.796m. Bought by the fund bequeathed by Evert Jansen Wendell, 1918

Deidre Lynch speaks about Ireland and his forgeries